A Lazy Day at the Lake

March 24, 2017

Finishing the wine bottle and glasses are my first priority today. I had blocked in the glasses with far too much wine in them. Was easy enough to go back with some of the paint I’d saved from the water and make the change.

The red Geraniums POP against the soft greens in the background. The flowers were blocked in first with combinations of Cadmium Red Deep + Alizarin Crimson and Cadmium Red Medium. The leaves are made of Pthalo Blue + Lemon Yellow.

Individual petals of the Geraniums are highlighted with Cadmium Red Light and some pinks left over from the Hibiscus.

Lesli remembers her grandmother growing Irises with deep purple throats. Like with the Day Lilies, I’ve painted the foliage of the Iris first. Then the lacy flowers are added by carefully “laying” the thick brush strokes of color on top of the background.

Sweet Potato Vine cascades out of the container, the heart shaped leaves bring a romantic touch. We had originally planned to have White Daisies planted with the Irises and Vine. But when I began blocking the flowers in I realized the White would totally take away from the clouds reflecting in the water. The painting wouldn’t be nearly as dramatic. 

I immediately make an executive decision to paint the Daisies with rusty red oranges and deep yellow oranges. I’ve added Cadmium Yellow Deep to some of the color mixes remaining from the Day Lilies. The centers are delineated in three steps. #1. A dark oval is placed with a mix of MUD + Liquin. #2. A dot of Cadmium Yellow Deep is then made, leaving enough dark to encircle the yellow. #3. A speck of the MUD + Liquin is pinpointed in the middle of the yellow! You can see this better if you’ll enlarge the picture, just click on the image.

A Lazy Day at the Lake      18″ x 24″

ALRIGHT! The reflections of the clouds sparkle on the rippling water of the lake. Selecting warm colors for the Daisies also increases the depth in the painting. That’s one of those simple “Jack” rules to give the impression of distance: Warm Colors Come Forward, Cool Colors Go Back! When Jack first started teaching me to paint he’d write all the little rules on bits of paper and tape them to my easel. Over time they became second nature to me. We’re done! Lesli and Mike can enjoy “A Lazy Day at the Lake” anytime they’d like at their city home. This has been fun, hope you’ve enjoyed following along as much as I have painting! HUGS, 


Now for Some Flowers

March 22, 2017

A new experience for me today, painting Hibiscus! The fragile blossoms are blocked in with mixes of Permanent Rose + Alizarin Crimson and Permanent Rose + White following my usual sequence of Flowers First, Leaves Last. There is method to my madness! I begin with the blooms so their color will remain bright and crisp when the leaves are painted. If the foliage was done first my brush would pick up some of the green as I blocked in the flowers, dirtying their brilliant color.

The leaves are painted next. I use mixes in several combinations of Viridian Green + Pthalo Blue + White.

After making the deep, dark centers with Alizarin Crimson + Liquin the yellow stamens are delineated. 

The same method is used for the Cobalt Bluebonnets nestled at the base of the Hibiscus container.

White “bonnets” finish out our Texas State Flower. Jack and I discovered an interesting fact when we lived in the Hill Country south of San Antonio. The native Bluebonnets growing there DON’T have the little white caps!

Here’s a field near where we lived. You can enlarge the image by clicking on the picture. Look closely……No Bonnets. The Bluebonnets along the roadsides have the white tops because they’ve been seeded by the Highway Department. But the native ones are different!

The sequence is reversed when painting the Day Lilies, the long strap-like leaves are blocked in first. 

The blossoms are blocked in second because they don’t “Clump” down, with a lot of foliage surrounding them. Most of the flowers made of Cadmium Orange + Alizarin Crimson and Cadmium Orange + Cadmium Red Light, dance above the leaves. But I still have to careful because the water behind them isn’t dry. I lightly “Lay” the bright color on top of the underlying wet paint. That way I don’t muddy the Day Lilies. This is also the case where the flower comes in front of the Hibiscus leaves.

Highlights on the Lilies are made of Cadmium Orange. A few petals have floated to the terrace floor in the gentle breeze coming off the lake. We’re finished for today, we’ll have more planting to do in our next session. Hope you’ll come join in the fun. HUGS,

Layin’ Tile

March 20, 2017

Today we’re laying tile on the deck. But before we begin the heavy work I draw the heart shaped backs of the wrought iron chairs into the wet paint of the water behind them. 

The dark shadows are first established, leaving white canvas where sunlight will stream across the floor.

After the sun warmed portion of the satillo tile deck is painted, perspective lines are carefully pulled into the wet paint. I can’t use the mahl stick here. It would limit the movement of my arm and hand, making it impossible to draw straight lines.

Next horizontal crevices separating the tiles are delineated.

The tile decking is complete, chair seats are covered with mixes of Magenta + White and the terra cotta containers wait for plants. Several people have asked, “when do you sign your paintings?” I do that when the area I plan for the signature to be is freshly painted. In this piece it’s in the lower left corner, on the floor. If you’ll enlarge the picture by clicking on the image you can see. Thanks for following along. AND, please…..always feel free to ask questions. HUGS,

Happy St. Patrick’s Day

March 17, 2017

We’re back at the lake on this St. Patrick’s Day. How appropriate, I’m painting green! The distance point on the right is actually populated by several homes and condominiums. But…that’s the joy of painting, we’ll give Lelsi and Mike a private lake all of their own.

The one element we’re going to add is a huge cross where St. Paul the Apostle Church is. The Sanctuary buildings are hidden from view by the trees.

Now, highlights reflecting from the clouds above are brought down into the water.

We continue blocking in the water underneath the railing, carefully working around flower pots, chairs, table, glasses and bottle of wine.

Using my T-Square hooked over the top of the canvas I draw the uprights of the railing into the wet paint of the water behind. This piece is framed in our White Senkarik Signature Frame, so I can easily use the T-Square with worrying about the edge of the canvas having wet paint. This wouldn’t work if the piece was painted around the sides of the canvas, I’d have to delineate the rails freehand!

WHEW! The railing is done. We’ll tackle the table, chairs and floor in our next session.

But before I go I have some fun St. Patrick’s memories to share with you. Jack and I rescued Molly and Sissie from the shelter on March 17, 2011! So today is their 6th anniversary with us. This picture was taken just a few days after we got them home. What fun they’ve been and a huge comfort to me this past several months.

We lived in Las Vegas in 1994 and met a couple who became dear friends, Lola and Dave Wagonvoord. They owned KLAV, a radio station there. A few days before St. Patrick’s Lola called and said, “Meet me at the costume shop, we’re going to be in the parade!” So we got outfitted as leprechauns. 

We rode on the back airfoil of Dave’s race car, that’s him driving. Jack walked the whole route taking photos. I think he got the toughest part of the deal, but at least it wasn’t too hot! Later we discovered that was the very last parade down Fremont Street before it was closed off for the “Fremont Street Experience”! So we were history making leprechauns!

On the way home Jack and I stopped at Art Affair, a gallery that had commissioned him to do a series of golf course paintings. Jack said, “Go in and wish Ron a Happy St. Patrick’s Day. See if he recognizes you!” So I did. I was laughing as I came out….Ron never did figure out who the leprechaun was that came and gave him a hug. A week later Jack was meeting with him and Ron told him about his St. Patrick’s mystery. Jack about fell out of his chair laughing! Then he revealed the secret. Have to admit, it was fun being a red headed leprechaun for a day!


Summer Sky

March 16, 2017

Colors are mixed and we’re all ready to paint those cottony clouds floating across the summer sky. #1. White + Pthalo Blue. #2. White + Pthalo Blue + a tiny bit of Cadmium Orange. AND I do mean just a tad. #3. White + Cobalt Blue. #4. MUD (Ultramarine Blue + Alizarin Crimson) + White. #5. Mix #4 + White. #6. Mixture #5 + a touch of Cadmium Orange + White. If you would like to learn more about our Double Primary Color Mixing System that Jack developed CLICK HERE.

The blue field of the sky is painted first. The uppermost region is blocked in with mix #3. The middle area is #1 and the portion of the sky nearest the horizon is the lightest mixture, #2. The places where I’m going to have the clouds are left unpainted. This way it’s easier to determine their design in the sky.

The shadows of the clouds are made with mix #4. The dark extends into the blue which is still wet. This gives the edges a feathery softness.

Highlights are added with mixtures #5 and #6, making sure the edges are kept fluffy so the clouds will recede.

The rolling hills of the Texas Hill Country line the lake. A combination of MUD + Ultramarine Blue + White is used for the water along the horizon.

Some of mixture #4 is brushed into the water to give the impression of cloud reflections.

Now the Horseshoe Bay Lighthouse is added to the scene. In reality, the view from Lesli and Mike’s deck is more panoramic than I’ve indicated. The opening between the two points is much farther apart, but to include both I had to give the lake a little squeeze! HUGS,

Horseshoe Bay

March 15, 2017

We’re beginning on a new collaboration today. My collectors have a vacation home in Horseshoe Bay, Texas. Lesli would like to be able to enjoy the view from the deck at the lake house every day in their “city” home. 

After she pondered the sketch and we visiting a bit Lesli decided to change the flowers to some more colorful, Texas natives. As she said, “I feel like I’m a zone 8 plant and just don’t do well in the cold. I’d like the flowers on our deck to be the same.” Lesli remembers her grandmother’s Day Lilies and Irises, so we’ll definitely add them. The new flower selections are penciled in on the original sketch. You may click on the picture to enlarge the image.

The horizon line is established first, then the back ground hills, point and lighthouse are drawn. Moving to the foreground I begin developing the bistro table and chairs. All of the sketch is done with a brush dipped in a thin oil wash of MUD (Ultramarine Blue + Alizarin Crimson) + Liquin.

Once  I have the perspective of the the heart backed wrought iron chairs correct, containers full of Geraniums are added. Another terra cotta pot will be at the edge of the deck.  

Day Lilies, Bluebonnets and Hibiscus are sketched in and labeled to remind me of our gardening plan.

The wine bottle is washed in with a thin mix of Sap Green + Liquin. Alizarin Crimson + Liquin is washed over the green in the lower part of the bottle, indicating some wine is left. 

Wine glasses are filled, table legs made and we’re done for the day. I’m going to wait to do the uprights on the deck railing. They will be done when the water behind the railing is painted. If you would like to receive an email every time I publish a new post please feel free to subscribe to my blog. CLICK THIS LINK and scroll to the upper right side of the page. You will see a heading EMAIL SUBSCRIPTIONS. Just enter your email address and click the button “Sign me up!”  It’s easy. And if you enjoy my blog please CLICK the FaceBook LIKE Button. As we say in Texas, “Much Obliged!


March 14, 2017

VIGNETTES: Visual Melodies from My Heart is a new series of art pieces I’m doing exclusively for my eBay collectors. I can’t carry a tune in a bucket but my paintbrush dances to the melodies of memories, playing in my heart. A vignette is a brief but inviting scene that leaves you wanting to experience more. These Original Oil Wash Vignette Drawings, based on sketches I made as Jack and I traveled the world, spill from the front of the canvas panel onto the sides. Enjoy the delight and excitement of the visual melodies singing from my brush, every time you view them in your home or office.

CLICK HERE to go to the Auctions

Elegance of Assisi

The cathedral of Assisi is amazing! It’s difficult to imagine such intricate stonework was made by craftsmen without the assistance of today’s computers and cranes. We are so fortunate these beautiful old buildings have withstood the ravages of time; giving us a glimpse of elegance from hundreds of years ago. Please remember, if you’d like to enlarge any of the images to see them more clearly, just click on the picture.

All of these Vignettes measure 6 inches by 6 inches. And…..the bidding starts at ONLY A PENNY! Notice how the Oil Wash drawing continues over the edge, onto the side of the Cradled Panel. And you don’t have to worry about doing any framing! Each one already has the hanging wire attached. All you need is a hammer and nail!  

CLICK HERE to go to the Auctions

The Art Show

Barcelona, Spain! Imagine Jack’s and my joy when we happened upon this Art Show in the small square, Placa Pi! I was fascinated by the two women, mother and daughter I think, going from booth to booth carefully examining each artist’s work. After viewing the art under every single umbrella, they made a choice. Happy smiles filled their faces! The art hanging on the panel was left blank intentionally so the viewer can use their imagination to contemplate what the art connoisseurs chose! An Abstract, Impressionistic Landscape or a Still Life??????? I’ll let you decide.

Jack took this photo of me sketching the fun!

If Barns Could Talk

Old barns surrounded by Bluebonnets, how Texas can you get! Seems like every time Jack and I came across a scene like this we’d wonder out loud, “What would that old barn say if it could talk? How many springs do you think this one saw? The families working there, children picking bluebonnet bouquets to take to their moms, generations growing up?” All wonderful memories!

The Vignettes are designed to hang individually or as a group. The auctions are scheduled to end 10 minutes apart so you can WIN ALL THREE! The pieces would retail for $300 each but to make it more exciting I’m starting the bid at ONLY A PENNY! That’s right 1 cent! 

CLICK HERE to go to the Auctions

The first auction ends on SUNDAY, March 19 at 8 PM Texas (Central) Time.


Celebrate Spring!

March 13, 2017

Petunias snuggle by the gate. The delicate blossoms are made of several shades of Magenta + White. Don’t forget, you may click on any of the images to see them larger.

After masses of yellow and foliage are blocked in dark centers are added to the blossoms; our Sunflowers come to life!

Let’s make that fountain play some music! I pull strokes of White + a little Ultramarine Blue straight down with a #16 Bright (Square) brush. The paint of the fountain is dry, the brush is held lightly so it skips over the bumpy under painting, giving the impression of cascading water.

California Poppies are grown in a container that is near the Bluebonnets in the distant field. The Blue makes its complementary color, Orange, appear brighter. The flowers are roughed in with various mixes of Cadmium Orange + Alizarin Crimson, Cadmium Red Light and Cadmium Orange.

With the exception of a few I always paint flowering plants in the same sequence: Flowers First, Leaves Last. #1. The blossoms are first blocked in with Cadmium Red Deep and Cadmium Red Medium. #2. The leaves have been painted around the masses of red, helping to shape the flowers. For added interest in the container on the right, I let some Silver Pony Foot vine drape down.

Celebrate Spring   24″ x 30″

Celebrate Spring is ready to head to our gallery in Wimberley TX, Pitzer’s Fine Art. If you’re in the area please stop in and visit Rob. Make sure to go next door to his wife Lynda’s Ice Cream Shop. ART and ICE CREAM, doesn’t get better than that! The gallery is located at 13909 Ranch Road 12. It’s on the left before you get to the square as you come into Wimberly from San Marcos. Or phone at 512.722.6032!

It’s certainly time to celebrate Spring around our garden, Bluebonnets are in their full glory!

And the Peggy Martin Roses on our arbors are just about to burst out in full bloom! Thanks for all of your wonderful comments and for following my blog. BIG TEXAS HUGS, 


Save on Jack’s Books!

March 11, 2017

Today I begin with the rugged tile roof. The terra cotta tiles are mixes of MUD (Ultramarine Blue + Alizarin Crimson) + Cadmium Orange + White. Some greens from the landscape are added here and there to give the impression of moss growing on the tiles.

The Wisteria blossoms are blocked in with combinations of Dioxazine Purple + Ultramarine Blue + White. Notice I turn my easel to paint the side of the gallery wrapped canvas.

Individual flower petals are highlighted with mixtures of Dioxazine Purple + White.

The shadows of the gates are Cadmium Red Deep, the sunlit portion is pure Cadmium Red Light. The edges of the boards are delineated with Cadmium Red Light + a little bit of White. Bracing my wrist against the mahl stick steadies my hand to pull the vertical lines into the wet paint of the gates.

Now for the tile floor. To begin, the entire surface is covered to establish the light and shadows. I come back to make the lines separating the individual pavers. Perspective lines are drawn first, then the horizontal ones.

It would be a little tricky to try and paint the bottom edge with the canvas on the easel. So I take the whole unit of canvas and cardboard off and rest it on Jack’s chair. It’s the perfect angle to finish the lower side of the gallery wrap canvas. And you can see, having the canvas attached to cardboard makes it easier to handle while the paint is wet. If you’d like to see how it was attached to the backing, CLICK HERE.

The floor is finished and the painting is back up on the easel. Let’s work on the fountain! Mixtures in various proportions of Cadmium Orange + Ultramarine Blue + White are used. MUD is added to make the darker shades.

Well…..the gardener is scheduled to be here for the next session to plant the flowers! Hope to see you then.

But before I go Molly has an announcement to make, SAVE 15 PURR-CENT on Jack’s books!” 

Now through tomorrow, SUNDAY, March 12 at 11:59 PM you can get 15% OFF on ALL of our BOOKS in PRINT.  Just CLICK HERE to go to Senkarik Publishing.  All you have to do is use the coupon code GLOMAR15 when you checkout. The online distributor of our books has offered a special promotion for our readers. We want to make this available to all of you. Act fast to take advantage of this great offer. This savings ONLY applies to print books, not the download versions.

Here is your chance to purchase any of our LULU books in print, including all seven of Jack White’s Art Marketing Classics, at 15% OFF the regular price. To get the savings just use the code GLOMAR15 when you checkout. To browse through ALL FOUR PAGES of our books at Senkarik Publishing CLICK HERE .

Jack’s last Art Marketing Book, ARTIST CONFIDENTIAL: Secret Guidelines of Professionals is chock full of practical ideas and helpful tips for artists. A must for anyone making art! CLICK HERE to order ARTIST CONFIDENTIAL in hard copy.


Bluebonnets and Limestone

March 10, 2017

The sky, hills and distant field of Bluebonnets are painted first. Then work begins on the stream meandering through the wildflowers.  Mixes of Cadmium Orange + Ultramarine Blue + MUD (Ultramarine Blue + Alizarin Crimson) + White are used for the large, flat rocks.

The cactus on the bank is blocked in using a #8 bright (square) brush. The pads are painted by twisting the long handle to make the oval shapes. Please remember as you read through my blog, you can click on any of the images to see them larger.

This stage of my paintings was always Jack’s favorite part. He enjoyed seeing the completed background through the open gate of the sketched in courtyard.

The limestone wall of the courtyard is made with various combinations of Cadmium Orange + a little bit of Pthalo Blue + MUD + White. 

The Carmel Mission window is given a Texas touch with large, uneven blocks of Limestone.

The final step is to draw the twisted trunks of the Wisteria into the wet paint of the rock wall. A mixture of MUD + Liquin is used for the gnarled limbs. I’ve combined a couple of days work in this session. Thank you for following along, hope to see you again soon! HUGS,