July 28, 2015
This piece is going to be my showstopper for our Santa Fe Collector Event. The outside dimension is 36 inches tall by 48 inches wide. I begin by drawing up the architectural elements of the painting. A brush dipped in a thin wash of MUD (Ultramarine Blue + Alizarin Crimson) + Liquin is used. Even though a lot of the building is going to eventually be covered by plants I have to make certain the perspective is correct. A lot of my reference material is saved as digital images, I just put the laptop on my palette and my models for the St. Francis sculpture are handy. These shots were taken at Mission San Diego in California. To see them better you can enlarge the picture by clicking on the image.
Our courtyard is beginning to come together. Notice how I’ve left the areas where the plants will be white or almost white. The flowers and leaves will be more luminescent when painted over the blank canvas.
We’re all sketched up and ready to begin applying opaque oil paint in the next session. Hope you’ll come watch!
It’s full heat blast here in Texas, we’ve been hitting 102 and 103 degrees daily. Hard to think of fall but cooler weather is just around the corner. So I’ve potted up our fall tomatoes, that way we’ll be able to enjoy them for Thanksgiving. They’ll go in the ground when the weather breaks but right now they are getting a head start on developing their roots.
Sissie has been a little jealous of all the attention Molly’s been getting lately. The little sweetie posed so pretty for me this morning I think she wanted to say HI to everyone! Hugs,
July 27, 2015
“A candle loses nothing by lighting another candle. “
I’d like to thank Jennifer H. for this quote. We’ve all heard different variations of “PAY IT FORWARD”. Jack and I feel the only way we can repay those who’ve helped us along to way is to help others. That’s the main reason for this blog. I’ve been extremely blessed as an artist and want to pass on any knowledge I can to others.
Many of you have asked where my ideas come from. The answer is simple, EVERYWHERE! We are constantly taking pictures and see paintings in every direction we look. I found this spread in one of my favorite magazines, Phoenix Home and Gardens. I love the old gate and adobe wall so I’m incorporating it into one of the pieces for my Annual Collector Event in Santa Fe.
I also was attracted to the niche and wrought iron door handle in the photo above. So those will also be thrown into the idea mill for this painting.
Isn’t the pergola in the top photo pretty cool? Some how I want to work that in…….
And I absolutely have to add some of these great Blue Ceramic Tiles.
I love Silver Lace Vine. It’s going to be my main star draping over the adobe wall and weathered turquoise wood gate.
Here is my “thinking” sketch. I originally had the niche on the right side, then realized the water in the fountain needs a darker backdrop. So I moved the niche and St. Francis to the left side under a pergola with tile topped columns. Then I decided to carry the tile theme to the fountain, lining the top edge of the base. The lists on both sides of the sketch are flowers found in Santa Fe. Since the sketch is not going to be shown to a client for a commission I leave it at this stage. I have enough information to give me a “map” to follow as I paint. If you’d like to enlarge the drawing just click on the image.
Now please remember….. always feel free to ask questions. I’ll do my best to answer them. If I don’t know the answer I’ll just do like Jack does, I’ll make something up :) Hugs,
July 22, 2015
I have a couple of VIDEOS for you today!
I’m showing the process of painting the Rooster in two parts. The first is the general block in of the body and tail. Then details in these areas are defined.
Now, let’s concentrate on the head, eye and comb. Please keep in mind, after you start the video you can enlarge it by clicking on the little screen icon on the right side of the black band across the bottom.
Delightful Sentry 14 inches tall by 11 inches wide
Our Delightful Sentry is finished, ready to bring lots of smiles to his new person. As soon as he is dry enough we’ll let him fly out of our nest! Jack said he sure likes this little fella, hope he takes awhile to dry! Thanks for reading my blog, I appreciate each and every one of you. And thank you for all of your wonderful comments. Hugs,
July 21, 2015
Another fun commission to do, a happy little Rooster nestled by a basket of Lavender as he surveys a field of Sunflowers. The basic elements are sketched up on the canvas and we’re ready to begin applying paint.
Following my usual method I “Paint Forward” beginning with the sky. Then the most distant layer of mountains is made bluer so it will recede. The middle layer is made more purple while the closest is painted with mixes of Pthalo Blue + Cadmium Orange + MUD (Ultramarine Blue + Alizarin Crimson) + White. If you would like to learn more about our Double Primary Color Mixing System CLICK HERE.
The mountains immediately drop farther back when the warmth of the field of Sunflowers is added. The sunny blossoms were blocked in first, followed by the large, green leaves. The foliage color is worked around the flowers, helping to define their shapes. Please remember, you can click on any of the images to see them larger.
The old basket is made of mixes of Ultramarine Blue + Cadmium Orange + White. The flat edge of a medium Bright brush is used to delineate the pattern of the woven wicker with a dark mixture of these same colors + MUD. Notice how the left side of the basket is made bluer, this helps to give it the appearance of roundness.
Now we’ll work on the Lavender in the basket. Opposite of my usual sequence of Flowers First, Leaves Last I start with the gray-green foliage. Then I add the flowers in various mixes of Magenta + Dioxazine Purple + White. The thick paint is gently “Laid” over the greens. I don’t want to pick up the underlying color, it will muddy the blossoms. If I do get any of the green on my brush I just wipe it off with toilet tissue. A clean brush gives you clean color on your canvas.
This Blog is a milestone, NUMBER 1,000. Can you believe it? WHEW!!!!!!! I really appreciate you following along.
We’ll paint the feisty Rooster in our next session. I’ll even have a couple of VIDEOS! AND……..If you would like to receive an email every time I publish a new post please feel free to subscribe to my blog. CLICK THIS LINK and scroll to the upper right side of the page. You will see a heading EMAIL SUBSCRIPTIONS. Just enter your email address and click the button “Sign me up!” It’s easy. And if you enjoy my blog please CLICK the FaceBook LIKE Button. As we say in Texas, “Much Obliged! Hugs,
July 17, 2015
Hi Everybody! Molly here. I’m taking over for Mikki today. I want to let you know you can SAVE 30 PURR-CENT on all of Mikki and Jack’s PRINT books at Lulu.com!
Now through MONDAY, July 20 at 11:59 PM you can get 30% OFF on ALL of Mikki and Jack’s PRINT books at Senkarik Publishing. Just use the coupon code BIGJULY when you checkout. Act fast to take advantage of this great offer from Lulu.com, Mikki and Jack’s online distributor.
Jack’s newest book, ARTIST CONFIDENTIAL: Secret Guidelines of Professionals is now available. It’s chock full of practical ideas and helpful tips for artists, a must for anyone making art! CLICK HERE to order ARTIST CONFIDENTIAL in hard copy.
Jack’s book, Run Oklahoma Run is a page turner. To find out more about this action packed historical novel CLICK HERE. And…….that’s Jack’s portrait of Quanah Parker on the cover.
The online distributor of our books has offered a special promotion for our readers. We want to make this available to all of you. Here is your chance to purchase any of our LULU books in PRINT, including all seven of Jack White’s Art Marketing Classics, at 30% OFF the regular price. To get the savings just use the code BIGJULY when you checkout. CLICK HERE to see all of our books available at Senkarik Publishing. Have fun browsing through all four pages.
Thought you would enjoy this excerpt from an email we recently received. “I just finished reading Magic of Selling Art. It made me realize that there are a lot of things I could do to enhance the sales of my art. For example, your book has caused me to revamp my website. The book isn’t just for artists. I have trained hundreds of salesmen in my life. You have taken a lot of techniques that all salesmen are normally exposed to and adapted them to the selling of art. What I like is the way you have done it with your stories and actual examples. Your book is interesting, thought provoking, easy to remember and written from the heart.”
For those of you selling on eBay or thinking about making the plunge this book tells how we do it. CLICK HERE to order the hard copy.
Sea to Shining Sea: The Mexican American War and the Manifest Destiny, is the sequel to Jack’s first historical novel, Ten Years in Texas. Sea to Shining Sea covers the two years after Texas became a State, the Mexican American War and the greatest expansion of the United States in our history. Follow the adventures of Bud Miller and Texas Ranger Jack Hayes in this informative page turner. Jack painted the portrait of Jack Hayes on the cover! To order Sea to Shining Sea: The Mexican American War and the Manifest Destiny CLICK HERE.
Unfortunately Jack’s first book Ten Years in Texas, about the ten years Texas was an independent Republic, is not included in this offer because it is distributed by Amazon. But if you would like to order a copy of Ten Years in Texas at the regular price CLICK HERE.
In BREATHTAKING RETREAT: Making a Painting I show the step by step process of making a 6 foot by 8 foot oil painting of the picturesque Portofino Harbor in Italy. Step into the studio and watch the painting come alive. Filled with painting techniques and useful tips on setting up a studio, BREATHTAKING RETREAT: Making a Painting is a complete oil painting workshop. The Jack White Double Primary Palette is explained and this book reveals the one tool an artist CAN NOT afford to be without. A must for artists and art collectors alike.
To order BREATHTAKING RETREAT: Making a Painting CLICK HERE.
This offer at Senkarik Publishing doesn’t last long. It will expire at 11:59PM on MONDAY, July 20. Just remember to put in the coupon code BIGJULY when you are checking out and you will automatically save 30% on your order. Be sure to run the code all together, it’s not two words.
Please feel free to share this with ALL of your friends. By the way, don’t you think that’s a cool little trash can I made into my play house? Mikki and Jack got it at the Container Store just in case you’re interested. Thanks for following Mikki’s blog. She’ll be back soon IF I can get her out of my garden and to the easel!
July 14, 2015
Today I’m concentrating on the little bench under the Wisteria. This post gives you an example of how I combine ideas. I went on Google.com and searched Southwest benches. These are two of the ones found, this piece is a nice example of the furniture you see in Santa Fe.
My heart jumped when I saw this horse head bench. If you’ve followed by blog very long you know I’m Horse Crazy! So I combined elements of each and designed my own Southwestern style settee.
TWO VIDEOS TODAY! Blocking in the bench.
VIDEO: Putting in the final details. You can enlarge the videos to view them better. After starting the VIDEO just click on the full screen icon on the far right side of the black bar along the bottom.
Now we’ll plant a stand of White Hollyhocks next to our wooden ponies.
Colorful Abundance Serene Embrace
The diptych is complete. I planned the pieces to hang as a pair or individually. Please remember as you read through my blogs, you can click on any of the images to see them larger. Look for the hummingbird in Serene Embrace! Hope you’ll come see us at the Santa Fe Art Collector Gallery at our Annual Event September 4th and 5th! You can see the paintings in person then……hope they have a couple of red dots by them!
Molly asked me to relay the following message:
“Thank you for all of your good wishes. I’m not purr-fectly 100 purr-cent but I’m feeling better. I’m staying close to Mikki, as far away from that Sissie as I can get!”
July 12, 2015
The paint for the Day Lilies is all mixed. #1. Cadmium Orange + Cadmium Yellow Medium. #2. Pure Cadmium Orange. #3. Cadmium Orange + Alizarin Crimson. #4. Four different shades of Pthalo Blue + Lemon Yellow. #5. Pthalo Blue + Liquin.
VIDEO TODAY! I paint the Day Lilies opposite my usual sequence of Flowers First, Leaves Last. Since the bright blossoms hover above the long straplike leaves I block in the foliage first. Then the thick paint of the flowers is gently “Laid” on top of the underlying color. I don’t want to pick up any of the wall or leaf paint on my brush, it will muddy the intense hue of the blooms.
The Sunflowers are now blocked in going back to my normal process. The leaves will be painted around the yellow, helping to shape the large blooms.
Petunias, made of various mixes of Permanent Rose + Cadmium Red Light + White, fill the large square container by the gate.
Red Penstemon jumps from the canvas on the left to the one on the right. We’ll paint the unique little bench in our next session. There will be videos! Hope you’ll come follow along.
Molly, our sweet studio supervisor and garden girl, is at the kitty hospital today. Seems she has an infection, the doctor thinks Sissie may have bitten or scratched her in a tussle. Now….. that Molly does instigate these fusses and Sissie has a distinctly fiery side! Looks like Miss Molly lost out on this one, she’s getting antibiotics and pain killers. Hopefully she’ll be home tonight and will think twice before she taunts Little Sissie again. CHILDREN!!!!! Hugs,
July 10, 2015
Jack’s newest article is out on FineArtStudioOnline.
CLICK HERE to read SMILE :)
Wasn’t that a fun article? Jack is such a great storyteller. Now….back to painting. The blooms of the Wisteria cascading over the courtyard wall are made of Dioxazine Purple + White.
The tile floor is painted with the light and dark pattern, then the perspective lines are drawn into the wet paint with a fine liner brush.
The challenge is drawing the perspective lines on the floor over on to the sides of the gallery wrapped canvas. It’s much easier to do this with the canvas flat. Since the canvas is mounted to cardboard I can handle the wet painting with ease. Molly, our studio supervisor, makes certain I get it all correct.
The floors are done and we’re finished for today. One of our readers asked a great question that I’d like to share with all of you. I noticed in this painting, Secluded Elegance, (you can click on the link to go to that blog) that you added cool highlights on the tile floor quite near the front of the painting and it totally seems to work and look wonderful. I wouldn’t have tried that thinking it would push something too far back or been too challenging to make what was behind it look like it was in its proper place. If you have a moment sometime to help me understand your thought process on this, I would be very appreciative.
Here is my response: The cool highlights nearer the front are actually the back edge of the foreground shadow. By adding some cool brushstrokes there it makes that edge recede. Also I’ve made a few cool green strokes in the area where my signature is. The green intensifies the red signature.
So……please feel free to ask questions. One of my main purposes in writing this blog is to help fellow artists. Hugs,
July 7, 2015
Starting on a couple of pieces for my Collector Event in Santa Fe. These two are designed so they work individually or as a diptych. The basic elements are sketched up on the canvases. We’re ready to begin painting……
The background is done first. After painting the sky and distant mountains I’ll concentrate on the Poplar Trees. My color mixtures are shown above. #1. Pthalo Blue + Liquin. #2. Pthalo Blue + White. #3. Pthalo Blue + Cadmium Yellow Medium + White. #4. Mixture #3 + more Pthalo Blue. #5. Mix #4 with additional White. #6. Even more White added to mix #5.
VIDEO TODAY – Painting the Poplar Trees
“Painting Forward” the adobe walls of the courtyard are now constructed. I use various mixes of Cadmium Orange + Ultramarine Blue + MUD (Ultramarine Blue + Alizarin Crimson) + White. As the back of the lower wall curving around to intersect with the gate I add some Ultramarine Blue + White. Cooling the most distant edge where the two walls intersect makes it recede.
Light and dark shades of Pthalo Blue + White are used for the arched gate. The latch and hinges are drawn into the wet paint of the gate with MUD + Liquin. The mahl stick is used to steady my hand as I delineate the details of the hardware.
Our structure is complete. We’ll start doing a little planting and laying tile in our next session. Hope you’ll grab your work gloves and come help!
Don’t Forget…….My eBay auction for Chief Red Fish ends Tomorrow, Wednesday at 8 PM Central Time.
CLICK HERE to go directly to the auction.
July 3, 2015
Our flag is so beautiful, it makes my heart sing. It’s a great privilege to live in the United States of America. God Bless our Founding Fathers and all of the Military personnel who protect our Freedom. Thanks to them, their families and the sacrifices they’ve made we can celebrate the 4th of July. So while you are having a good time, cooking out and watching fireworks, please take a moment to say a prayer for our country and our servicemen. Enjoy your Freedom and have a HAPPY INDEPENDENCE DAY!
OK! Got a VIDEO today of painting Chief Red Fish’s face. The skin tones are made of mixes of Terra Rosa + MUD (Ultramarine Blue + Alizarin Crimson) + White, Terra Rosa + Cerulean Blue + White and Terra Rosa + White. A little Cadmium Red Light is added into the mixes for the cheeks and nose. Cerulean Blue + White is dragged over the lower face to make it cooler.
The hands are painted using the same mixtures, but rendered with less detail so they won’t draw the viewer’s attention. I want the main focal point to be the rugged face of Chief Red Fish.
The shadows of the heavy woven shirt are Cobalt Blue + MUD + White. Cobalt Blue + White is used for the highlights on the folds.
Red Fish was a chief of the Oglala Lakota tribe in the 1840s. His daughter, Eva Little Chief, was kidnapped by the Crow after he’d made a disastrous, unprovoked raid upon them in 1848.
CLICK HERE to go directly to the auction.
Chief Red Fish measures 17 inches tall x 14 inches wide. This size Senkarik Original Oil Painting retails for $890 in our Team Galleries. But to make it more fun we are starting the bid at A PENNY! That’s right, ONLY ONE CENT!
Don’t worry about framing, Chief Red Fish is painted on gallery wrapped canvas with 1 1/2 inch finished sides. He is ready to hang as soon as you unpack him! We even provide the hanger and nail! Chief Red Fish would also make a wonderful gift for that special someone in your life that’s a fan of the old West! A Senkarik Original Oil Painting is a present that lasts for generations.
REMEMBER, the auction for Chief Red Fish ends Wednesday, July 8 at 8 PM Texas (Central) Time.
AND……..Have a Happy 4th of July!